At the end of an old shale riddled path, hidden by brambles and overgrown hedges lay at the bottom of the hill a modern Shangri-La. Within this rural oasis, sits a barn accentuated by equal parts electric-art and rusting metal. As I walked up to the barn, an overhaul-clad man came out and shook my hand, introducing himself as Andrew immediately asking if I’d like a tour of the grounds...

Of all digital art none has managed to touch me as much as the one of Cameron Gray has. I came across his digital artworks browsing the web during an Ayahuasca experience in Brazil, and it touched my soul. It felt as if somebody had portrayed my insides, something I had never felt before with contemporary visual art.